Co-authorship is an exciting process that allows the creative efforts of several people to come together to create a joint work. However, without a clear understanding of the legal aspects, co-authorship can lead to conflicts and misunderstandings. How to allocate copyrights correctly, avoid disputes and ensure successful co-operation? This article will help you understand the intricacies of co-authorship and copyright, give practical advice and recommendations. If you are interested in the topic of copyright protection in general, we also recommend you to read the article “Copyright: How to Protect Your Works in Ukraine?“. Further we will consider in detail all aspects of co-authorship , to help you successfully realise your creative projects.
Section 1: What is co-authorship?
Co-authorship is a form of creative co-operation where several people work together to create a work. In order to properly regulate relations between co-authors and avoid conflicts in the future, it is important to understand the legal basis and types of co-authorship. In this section we will look at the definition ofco-authorship under Ukrainian law and consider different forms of co-creation so that you can clearly determine which type of co-authorship suits your situation. This knowledge will help you to correctly allocate copyright and co-operate effectively with other authors.
Subsection 1.1: Definition and Legal Basis
According to the Law of Ukraine “On Copyright and Related Rights”, co-authorship arises when a work is created by the joint creative labour of two or more persons. It is important that each of co-authors make a creative contribution to the creation of the work. Mere technical assistance or following the instructions of one of the authors is not enough. Each co-author must be the author of a part of the work that can exist independently as a separate copyright object , or their contributions must be so intertwined that it is impossible to separate them.
Key aspects of the definition of co-authorship:
- Joint creative labour: Co-authorship involves the active participation of each author in the creative process.
- Creative input: Each co-author must make an original creative contribution to the work.
- Indivisibility of the work (optional): The work can be either indivisible, where the contributions of the co-authors are so intertwined that they cannot be separated, or composed of parts that can exist separately.
The legal framework of co-authorship is based on the following principles:
- Presumption of equality of shares: Unless otherwise provided by agreement between co-authors, their shares in the copyright of a work are presumed to be equal.
- Joint exercise of proprietary rights: Proprietary rights in a work shall belong to the co-authors jointly. Any use of the work involving remuneration requires the consent of all co-authors.
- Independent exercise of personal non-property rights: Each co-author has the right to independently exercise his or her personal non-property rights in the work, such as the right of authorship, the right to name and the right to inviolability of the work.
Understanding these legal bases is important for the proper allocation of copyright and avoiding conflicts between co-authors.
Subsection 1.2: Types of co-authorship
Co-authorship can manifest itself in various forms. The Law of Ukraine “On Copyright and Related Rights” identifies two main types of co-authorship:
- Joint work: It is a work created by the indivisible creative co-operation of co-authors. The contributions of each author are so intertwined that they cannot be distinguished as separate independent works. An example of a joint work may be a picture painted by two artists together, or a song whose music was written by one author and lyrics by another. In this case, the distribution of copyrights is according to their agreement, and if there is no agreement, their shares are considered to be equal.
- Collected Work: This is a work consisting of separate independent works by different authors united by a common idea into a single whole. Examples of collected works are collections of poems by different poets, scientific collections of articles, encyclopaedias. In the case of a collected work, each author retains copyright in his or her individual work, but in order to use the collected work as a whole, permission must be obtained from all the authors whose works are included in the collection. The use of an individual work included in a compilation is regulated separately with the author of that work.
Differences between a general and a collected work:
| Indication | Collaborative work | Collaborative product |
| divisibility | Indivisible | Consists of separate works |
| Copyright | General copyright in the whole work | Each author retains copyright in his or her own work |
| Use | Use requires the consent of all co-authors | Use of a collection requires the consent of all authors, use of a single work requires the consent of its author. |
| Examples | A picture painted by two artists, a song with music by one author and lyrics by another | A collection of poems, a scholarly collection of articles |
Defining the type of co-authorship is key to understanding exactly how copyright will be allocated and how the use of the work will be regulated. It is important to take these specifics into account when entering into contracts and when working together on a creative project.
Section 2: Rights of co-authors
Co-authorship, like individual authorship, gives authors certain rights to the created work. These rights are divided into property rights and personal non-property rights. Understanding these rights and their specificities in the context of co-authorship is key to avoiding conflicts and building successful collaborations. In this section we will look in detail at both the property and non-property rights ofco-authors, and explain how they are realised in practice. Knowing your rights and the rights of your fellow co-authors will help you avoid misunderstandings and ensure that you can work effectively on your collaborative projects.
Subsection 2.1: Property Rights
Property rights of co-authors are the rights to use the work in any way that brings economic benefit. These rights belong to co-authors jointly, and their realisation requires the consent of all co-authors, unless otherwise stipulated in the contract.
How property rights are distributed:
- Presumption of equal shares: By default, unless the co-authors agree otherwise, their shares of property rights are presumed to be equal. This means that each co-author is entitled to an equal share of the income from the use of the work.
- Sharing agreement: Co-authors can enter into an agreement that defines the specific shares of each of their property rights. For example, if one co-author contributed significantly more to the creation of the work, he or she may be entitled to a larger share of the income.
- Consensual use: Any use of a work for profit, such as sale, rental, public display, requires the consent of all co-authors. One co-author cannot independently dispose of the property rights in the work without the consent of the others.
- Exceptions to the rule of unanimity: In some cases, the law provides for exceptions to the rule of unanimity. For example, each of the co-authors has the right to independently use the work to create a new work as long as it does not prejudice the use of the common work.
Examples of realisation of property rights:
- Publishing a book: To publish a co-authored book, the consent of all co-authors is required. The income from the sale of the book is distributed among them according to their shares.
- Screenplay adaptation: If a film script is co-written, the consent of all co-writers is required for its adaptation.
- Use of a photograph in advertising: If a photograph is co-authored, permission must be obtained from all co-authors before it can be used in an advertising campaign.
A clear understanding and adherence to the rules of distribution and realisation of property rights will help to avoid conflicts between co-authors and ensure successful cooperation. The conclusion of a contract detailing all aspects of property rights is a recommended step for any project created in co-authorship.
Subsection 2.2: Personal non-property rights
Personal non-property rights of co-authors are rights that are closely related to the personality of the author and have no property nature. They belong to each co-author separately and cannot be transferred to other persons. These rights include: the right of authorship, the right to a name and the right to inviolability of the work.
The right of authorship guarantees each co-author the opportunity to be considered the author of the work and to claim recognition of this fact. The right to name allows theco-author to use the work under his/her real name, pseudonym or anonymously. The right to inviolability of the work gives theco-author the opportunity to prohibit any changes, distortions or other interference in the work, which may damage his/her honour and reputation.
When using a work created in co-authorship, it is important to remember the peculiarities of realisation of personal non-property rights. The names of all co-authors should be indicated, unless otherwise agreed between them. While each co-author may exercise his or her own rights to the name and integrity of the work, he or she must take into account the interests of the other co-authors. Any changes to the work that may damage the honour and reputation of the collaborators must be agreed with them.
For example, a co-author may publish his or her part of a joint work under a pseudonym, but the other co-authors must be listed under their real names (unless they have chosen pseudonyms themselves). The co-author may also prohibit changes to the work which, in his opinion, distort his creative intent and damage his reputation.
Protection of personal non-property rights is an important component of co-authorship. Mutual respect and consideration of the interests of all participants in the creative process will help to preserve the integrity of the work and avoid conflict situations.
Section 3: Contract between co-authors
Successful co-authorship is based not only on creative understanding, but also on clear agreements about the rights and responsibilities of each participant. A contract between co-authors is a key tool that helps to avoid conflicts, protect the interests of each author and ensure effective co-operation. In this section we will consider why it is so important to conclude a contract, what content it should have and provide a sample contract on co-authorship. This will help you to properly formalise your relationship with your co-authors and protect your rights to your joint work.
Subsection 3.1: What is a contract for?
A contract between co-authors is not just a formality, but an important tool that helps to avoid misunderstandings and conflicts during joint work and further use of the work. It provides a clear distribution of rights and obligations of each participant. Without a contract, the distribution of copyright is determined by default, which does not always correspond to the real contribution of each co-author.
The contract also regulates how the work is to be used. It determines how the co-authors can use the work, who has the right to authorise third parties to use it, and how the income from the use is distributed. Without a contract, the use of a work requires the consent of all co-authors, which can make the process much more complicated, especially if it is difficult to reach a common agreement.
A contract is the key to avoiding conflicts. Clear agreements fixed in it help to prevent misunderstandings and disputes, ensuring peaceful resolution of controversial issues. Without a contract, even minor disagreements can escalate into serious conflicts, which will negatively affect further co-operation and the fate of the work.
Finally, the contract protects the interests of each co-author. It ensures that everyone’s rights are respected. Without a contract, there is a risk that the rights of one co-author will be violated by the others, for example by using the work without their consent or by appropriating a greater share of the income.
Thus, entering into a contract is a demonstration of mutual respect and responsibility between co-authors, as well as an investment in successful co-operation and the future of the joint work.
Subsection 3.2: Content of the contract
A contract between co-authors should clearly and in detail regulate all important aspects of their co-operation. Here are the main points that are recommended to be included in the contract:
- Subject of the contract: Clearly define what kind of work is the subject of the contract, its title, type (literary, musical, artistic, etc.) and a brief description.
- Parties to the contract: Provide the full names and contact details of all co-authors.
- Contribution of each co-author: Describe in detail the creative contribution of each co-author to the creation of the work. This is important for determining copyright shares.
- Distribution of property rights: Specify how property rights in the work are distributed between the co-authors. If the shares are equal, this should be spelled out. If not, specify the specific shares of each co-author.
- Procedure for use of the work: Define how the work may be used (sale, rental, public display, etc.), who has the right to conclude contracts for the use of the work with third parties, and how the income from the use will be distributed.
- Procedure for making changes to the work: Determine whether the co-authors can make changes to the work independently or whether the consent of all co-authors is required.
- Responsibility of the parties: Specify the responsibility of the co-authors for breach of contract.
- Term of the contract: Define the term of the contract and the terms of its prolongation or cancellation.
- Other terms and conditions: The contract may contain other terms and conditions that the co-authors consider important for their co-operation.
A clearly thought out and drafted contract will help you avoid conflicts and ensure the successful realisation of your creative project.
Subsection 3.3: Sample contract
The following sample co-authorshipagreement is indicative and can be adapted to the specific circumstances of your co-operation. It is recommended that you consult a lawyer before using this sample.
CO-AUTHORSHIP AGREEMENT
ΠΌ. [City], Ukraine [Date]
We, the undersigned, [Name of author 1], passport [series and number], residing at: [address of author 1], and [Name of author 2], passport [series and number], residing at: [author’s address 2], hereinafter referred to as “Co-authors”, have concluded this contract as follows:
- SUBJECT OF THE AGREEMENT
1.1 The subject of this agreement is the creation of [title of the work], hereinafter referred to as the “Work”, which is [type of work, e.g. literary work – novel].
- RIGHTS AND OBLIGATIONS OF THE CO-AUTHORS
2.1 The co-authors undertake to jointly create the Work with equal effort.
2.2 [Name of author 1] is responsible for [description of author 1’s contribution, e.g. writing the first part of the novel].
2.3 [Name of Author 2] is responsible for [description of Author 2’s contribution, e.g. writing the second part of the novel].
2.4. Property rights to the Work belong to the co-authors in equal shares.
2.5. Any use of the Work involving remuneration (sale, publication, film adaptation, etc.) shall be made by mutual consent of the Contributors. .
2.6. The income from the use of the Work shall be shared equally between the Contributors.
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- OTHER TERMS
3.1 This agreement shall come into force upon its signing and shall remain in force during [term of the agreement].
3.2 All disputes arising out of this agreement shall be settled through negotiations. In case of inability to reach an agreement – in court.
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- SIGNATURES OF THE PARTIES
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[Name of author 1] /signature/
[Name of author 2] /signature/
Please note: This sample contract is simplified and does not take into account all possible nuances. It is recommended to consult a lawyer who specialises in intellectual property matters to draft a contract that fully meets your needs.
Section 4: How to avoid conflicts between co-authors?
Co-authorship is a co-operation which, like any other co-operation, can be accompanied by conflicts. However, most misunderstandings can be prevented by following certain rules and building relationships based on mutual respect and trust. In this section, we will look at practical tips to help you avoid conflicts between co-authors and create a productive atmosphere for co-creation.
Subsection 4.1: Clear division of responsibilities
A clear division of responsibilities is one of the keys to successful co-authorship and avoiding conflicts. When each co-author clearly understands their role in the project, it minimises the risk of misunderstandings, duplication of effort and disputes over authorship.
How to properly assign responsibilities:
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- Discuss each co-author‘s strengths : Determine what each of you is best at, what skills and experience you have. This will help assign tasks so that everyone can make the most of their strengths.
- Create a detailed work plan: Break down the project into individual steps and tasks. Identify the responsible co-author and deadlines for each task.
- Record the agreements: Write down the division of responsibilities in the co-authorship agreement or in a separate document. This will help avoid misunderstandings in the future.
- Be flexible: Even if you have a clear work plan, be prepared for circumstances to change. Be flexible and willing to renegotiate responsibilities as needed.
- Discuss progress regularly: Hold regular meetings to discuss progress, resolve ongoing issues and coordinate activities.
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A clear division of responsibilities will help you build an effective team where each contributor feels an important part of the project and can realise their full potential. This will ensure the successful completion of the project and avoid conflicts.
Unit 4.2: Communication and Mutual Understanding
Even with a clear division of responsibilities, co-authorship requires constant communication and mutual understanding between authors. Open discussion of ideas, problems, and solutions is key to successful collaboration and avoiding conflicts.
Here are some tips for effective communication:
- Regular meetings: Plan regular meetings to discuss progress, resolve issues and agree on the way forward. This will keep all co-authors informed and avoid misunderstandings.
- Openness to dialogue: Create an atmosphere where each contributor can freely express their ideas, thoughts, and concerns. Listening to and considering the opinions of others is an important part of successful collaboration.
- Constructive criticism: Criticism should be constructive and aimed at improving the work, not personal grievances. Focus on specific aspects of the work, not on the personality of the author.
- Mutual respect: Res pect each contributor ‘s creative input and vision for the project. Even if you disagree, express your opinion in a respectful and reasoned manner.
- Documenting decisions: Important decisions and agreements should be recorded in writing, for example, in minutes of meetings or in email correspondence. This will help avoid misunderstandings and disputes in the future.
Effective communication and mutual understanding are the foundation of successful co-authorship. They help to create a productive atmosphere where each co-author feels comfortable and can fully realise their creative potential.
Conclusions
Co-authorship can be an extremely rewarding and exciting experience, but it also requires a clear understanding of the legal aspects and the ability to build effective co-operation. Proper co-authorship, clear distribution of copyright and open communication between co-authors are key factors in the success of any collaborative creative project. We hope that the practical advice in this article will help you avoid conflicts, protect your rights and realise your full creative potential. For more information about copyright protection, we recommend you to read the article “Copyright: How to Protect Your Works in Ukraine?“. We wish you a successful and productive co-operation!
ΠΠ°ΠΊ ΡΠ°ΡΠΏΡΠ΅Π΄Π΅Π»ΡΡΡΡΡ Π΄ΠΎΡ ΠΎΠ΄Ρ ΠΎΡ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, Π΅ΡΠ»ΠΈ ΡΠΎΠ°Π²ΡΠΎΡΡ Π½Π΅ Π·Π°ΠΊΠ»ΡΡΠΈΠ»ΠΈ Π΄ΠΎΠ³ΠΎΠ²ΠΎΡ? ΠΠ°ΠΊΠΈΠ΅ ΠΌΠΎΠ³ΡΡ Π²ΠΎΠ·Π½ΠΈΠΊΠ½ΡΡΡ ΠΏΡΠΎΠ±Π»Π΅ΠΌΡ Π² ΡΠ°ΠΊΠΎΠΌ ΡΠ»ΡΡΠ°Π΅?
ΠΡΠ»ΠΈ ΡΠΎΠ°Π²ΡΠΎΡΡ Π½Π΅ Π·Π°ΠΊΠ»ΡΡΠΈΠ»ΠΈ Π΄ΠΎΠ³ΠΎΠ²ΠΎΡ, ΡΠ΅Π³ΡΠ»ΠΈΡΡΡΡΠΈΠΉ ΡΠ°ΡΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΠ΅ Π΄ΠΎΡ ΠΎΠ΄ΠΎΠ² ΠΎΡ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, ΠΏΡΠΈΠΌΠ΅Π½ΡΠ΅ΡΡΡ ΠΏΡΠΈΠ½ΡΠΈΠΏ ΠΏΡΠ΅Π·ΡΠΌΠΏΡΠΈΠΈ ΡΠ°Π²Π΅Π½ΡΡΠ²Π° Π΄ΠΎΠ»Π΅ΠΉ. ΠΡΠΎ ΠΎΠ·Π½Π°ΡΠ°Π΅Ρ, ΡΡΠΎ Π·Π°ΠΊΠΎΠ½ ΡΡΠΈΡΠ°Π΅Ρ Π²ΠΊΠ»Π°Π΄ ΠΊΠ°ΠΆΠ΄ΠΎΠ³ΠΎ ΡΠΎΠ°Π²ΡΠΎΡΠ° ΡΠ°Π²Π½ΡΠΌ, ΠΈ, ΡΠΎΠΎΡΠ²Π΅ΡΡΡΠ²Π΅Π½Π½ΠΎ, ΠΊΠ°ΠΆΠ΄ΡΠΉ ΠΈΠΌΠ΅Π΅Ρ ΠΏΡΠ°Π²ΠΎ Π½Π° ΡΠ°Π²Π½ΡΡ Π΄ΠΎΠ»Ρ Π»ΡΠ±ΡΡ Π΄ΠΎΡ ΠΎΠ΄ΠΎΠ², ΠΏΠΎΠ»ΡΡΠ΅Π½Π½ΡΡ ΠΎΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ. ΠΠ°ΠΏΡΠΈΠΌΠ΅Ρ, Π΅ΡΠ»ΠΈ ΠΎΡ ΠΏΡΠΎΠ΄Π°ΠΆΠΈ ΠΊΠ½ΠΈΠ³ΠΈ, Π½Π°ΠΏΠΈΡΠ°Π½Π½ΠΎΠΉ Π΄Π²ΡΠΌΡ ΡΠΎΠ°Π²ΡΠΎΡΠ°ΠΌΠΈ, ΠΏΠΎΠ»ΡΡΠ΅Π½ΠΎ 10 000 Π³ΡΠΈΠ²Π΅Π½, ΠΊΠ°ΠΆΠ΄ΡΠΉ ΠΈΠ· Π½ΠΈΡ ΠΈΠΌΠ΅Π΅Ρ ΠΏΡΠ°Π²ΠΎ Π½Π° 5 000 Π³ΡΠΈΠ²Π΅Π½, Π΄Π°ΠΆΠ΅ Π΅ΡΠ»ΠΈ ΠΎΠ΄ΠΈΠ½ ΠΈΠ· Π½ΠΈΡ Π½Π°ΠΏΠΈΡΠ°Π» Π±ΠΎΠ»ΡΡΡΡ ΡΠ°ΡΡΡ ΠΊΠ½ΠΈΠ³ΠΈ.
ΠΡΠΎΠ±Π»Π΅ΠΌΡ, ΠΊΠΎΡΠΎΡΡΠ΅ ΠΌΠΎΠ³ΡΡ Π²ΠΎΠ·Π½ΠΈΠΊΠ½ΡΡΡ ΠΏΡΠΈ ΠΎΡΡΡΡΡΡΠ²ΠΈΠΈ Π΄ΠΎΠ³ΠΎΠ²ΠΎΡΠ°:
- Π‘ΠΏΠΎΡΡ ΠΎΡΠ½ΠΎΡΠΈΡΠ΅Π»ΡΠ½ΠΎ ΡΠ°ΠΊΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ Π²ΠΊΠ»Π°Π΄Π°: ΠΡΠ΅Π·ΡΠΌΠΏΡΠΈΡ ΡΠ°Π²Π΅Π½ΡΡΠ²Π° Π΄ΠΎΠ»Π΅ΠΉ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ Π½Π΅ΡΠΏΡΠ°Π²Π΅Π΄Π»ΠΈΠ²ΠΎΠΉ, Π΅ΡΠ»ΠΈ ΠΎΠ΄ΠΈΠ½ ΠΈΠ· ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² Π²Π½Π΅Ρ Π·Π½Π°ΡΠΈΡΠ΅Π»ΡΠ½ΠΎ Π±ΠΎΠ»ΡΡΠΈΠΉ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΈΠΉ Π²ΠΊΠ»Π°Π΄, ΡΠ΅ΠΌ Π΄ΡΡΠ³ΠΈΠ΅. ΠΡΠΎ ΠΌΠΎΠΆΠ΅Ρ ΠΏΡΠΈΠ²Π΅ΡΡΠΈ ΠΊ ΠΊΠΎΠ½ΡΠ»ΠΈΠΊΡΠ°ΠΌ ΠΈ ΡΠΏΠΎΡΠ°ΠΌ ΠΎ ΡΠ°ΡΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΠΈ Π΄ΠΎΡ ΠΎΠ΄ΠΎΠ². ΠΠ°ΠΏΡΠΈΠΌΠ΅Ρ, Π΅ΡΠ»ΠΈ ΠΎΠ΄ΠΈΠ½ ΡΠΎΠ°Π²ΡΠΎΡ Π½Π°ΠΏΠΈΡΠ°Π» 90% ΠΊΠ½ΠΈΠ³ΠΈ, Π° Π΄ΡΡΠ³ΠΎΠΉ ΡΠΎΠ»ΡΠΊΠΎ 10%, ΡΠ°ΡΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΠ΅ Π΄ΠΎΡ ΠΎΠ΄ΠΎΠ² 50/50 ΠΌΠΎΠΆΠ΅Ρ Π²ΡΠ·Π²Π°ΡΡ Π½Π΅Π΄ΠΎΠ²ΠΎΠ»ΡΡΡΠ²ΠΎ Ρ Π°Π²ΡΠΎΡΠ°, ΠΊΠΎΡΠΎΡΡΠΉ Π²ΡΠΏΠΎΠ»Π½ΠΈΠ» Π±ΠΎΠ»ΡΡΡΡ ΡΠ°ΡΡΡ ΡΠ°Π±ΠΎΡΡ.
- ΠΡΠ»ΠΎΠΆΠ½Π΅Π½ΠΈΡ Π² ΠΏΡΠΈΠ½ΡΡΠΈΠΈ ΡΠ΅ΡΠ΅Π½ΠΈΠΉ ΠΏΠΎ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ: ΠΡΠΈ ΠΎΡΡΡΡΡΡΠ²ΠΈΠΈ Π΄ΠΎΠ³ΠΎΠ²ΠΎΡΠ°, Π»ΡΠ±ΠΎΠ΅ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ ΠΏΠΎ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ (ΠΏΡΠΎΠ΄Π°ΠΆΠ°, Π»ΠΈΡΠ΅Π½Π·ΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅, ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΡ ΠΈ Ρ.Π΄.) ΡΡΠ΅Π±ΡΠ΅Ρ ΡΠΎΠ³Π»Π°ΡΠΈΡ Π²ΡΠ΅Ρ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ². ΠΡΠΎ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΏΡΠΎΠ±Π»Π΅ΠΌΠ°ΡΠΈΡΠ½ΠΎ, ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎ Π΅ΡΠ»ΠΈ ΡΠΎΠ°Π²ΡΠΎΡΡ ΠΈΠΌΠ΅ΡΡ ΡΠ°Π·Π½ΡΠ΅ Π²Π·Π³Π»ΡΠ΄Ρ Π½Π° ΡΠΎ, ΠΊΠ°ΠΊ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΠΈΠ»ΠΈ Π΅ΡΠ»ΠΈ Ρ ΠΎΠ΄Π½ΠΈΠΌ ΠΈΠ· Π½ΠΈΡ ΡΡΡΠ΄Π½ΠΎ ΡΠ²ΡΠ·Π°ΡΡΡΡ.
- ΠΠ΅ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΠΎΡΡΡ Π² ΠΎΡΠ½ΠΎΡΠ΅Π½ΠΈΠΈ ΠΏΡΠ°Π² Π½Π° Π²Π½Π΅ΡΠ΅Π½ΠΈΠ΅ ΠΈΠ·ΠΌΠ΅Π½Π΅Π½ΠΈΠΉ: ΠΠ΅Π· Π΄ΠΎΠ³ΠΎΠ²ΠΎΡΠ° Π½Π΅ΠΏΠΎΠ½ΡΡΠ½ΠΎ, ΠΊΡΠΎ ΠΈΠ· ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² ΠΈΠΌΠ΅Π΅Ρ ΠΏΡΠ°Π²ΠΎ Π²Π½ΠΎΡΠΈΡΡ ΠΈΠ·ΠΌΠ΅Π½Π΅Π½ΠΈΡ Π² ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅. ΠΡΠΎ ΠΌΠΎΠΆΠ΅Ρ ΠΏΡΠΈΠ²Π΅ΡΡΠΈ ΠΊ ΠΊΠΎΠ½ΡΠ»ΠΈΠΊΡΠ°ΠΌ, Π΅ΡΠ»ΠΈ ΠΎΠ΄ΠΈΠ½ ΠΈΠ· ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² Π²Π½Π΅ΡΠ΅Ρ ΠΈΠ·ΠΌΠ΅Π½Π΅Π½ΠΈΡ Π±Π΅Π· ΡΠΎΠ³Π»Π°ΡΠΈΡ Π΄ΡΡΠ³ΠΈΡ .
- Π’ΡΡΠ΄Π½ΠΎΡΡΠΈ Ρ Π·Π°ΡΠΈΡΠΎΠΉ ΠΏΡΠ°Π² Π² ΡΡΠ΄Π΅: ΠΡΠΈ ΠΎΡΡΡΡΡΡΠ²ΠΈΠΈ ΠΏΠΈΡΡΠΌΠ΅Π½Π½ΠΎΠ³ΠΎ Π΄ΠΎΠ³ΠΎΠ²ΠΎΡΠ° Π΄ΠΎΠΊΠ°Π·Π°ΡΡ ΡΠ°ΠΊΡΠΈΡΠ΅ΡΠΊΠΎΠ΅ ΡΠ°ΡΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΠ΅ Π°Π²ΡΠΎΡΡΠΊΠΎΠ³ΠΎ Π²ΠΊΠ»Π°Π΄Π° ΠΈ Π΄ΠΎΠ³ΠΎΠ²ΠΎΡΠ΅Π½Π½ΠΎΡΡΠ΅ΠΉ ΠΏΠΎ ΡΠ°ΡΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΡ Π΄ΠΎΡ ΠΎΠ΄ΠΎΠ² ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΎΡΠ΅Π½Ρ ΡΠ»ΠΎΠΆΠ½ΠΎ. ΠΡΠΎ ΡΡΠ»ΠΎΠΆΠ½ΠΈΡ Π·Π°ΡΠΈΡΡ ΠΏΡΠ°Π² ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² Π² ΡΡΠ΄Π΅ Π² ΡΠ»ΡΡΠ°Π΅ Π²ΠΎΠ·Π½ΠΈΠΊΠ½ΠΎΠ²Π΅Π½ΠΈΡ ΡΠΏΠΎΡΠ°.
- ΠΠ΅Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ ΡΡΠ΅ΡΡΡ ΠΈΠ½Π΄ΠΈΠ²ΠΈΠ΄ΡΠ°Π»ΡΠ½ΡΠ΅ ΠΏΠΎΡΡΠ΅Π±Π½ΠΎΡΡΠΈ ΠΈ ΠΎΠ±ΡΡΠΎΡΡΠ΅Π»ΡΡΡΠ²Π°: ΠΠΎΠ³ΠΎΠ²ΠΎΡ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ ΡΡΠ΅ΡΡΡ ΠΈΠ½Π΄ΠΈΠ²ΠΈΠ΄ΡΠ°Π»ΡΠ½ΡΠ΅ ΠΏΠΎΡΡΠ΅Π±Π½ΠΎΡΡΠΈ ΠΈ ΠΎΠ±ΡΡΠΎΡΡΠ΅Π»ΡΡΡΠ²Π° ΠΊΠ°ΠΆΠ΄ΠΎΠ³ΠΎ ΡΠΎΠ°Π²ΡΠΎΡΠ°, Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ, ΡΠ°Π·Π½ΡΠΉ ΡΡΠΎΠ²Π΅Π½Ρ ΠΎΠΏΡΡΠ°, ΠΎΠ±ΡΠ΅ΠΌ Π²ΡΠΏΠΎΠ»Π½Π΅Π½Π½ΠΎΠΉ ΡΠ°Π±ΠΎΡΡ, ΡΠΈΠ½Π°Π½ΡΠΎΠ²ΡΠ΅ ΠΏΠΎΡΡΠ΅Π±Π½ΠΎΡΡΠΈ ΠΈ ΡΠΎΠΌΡ ΠΏΠΎΠ΄ΠΎΠ±Π½ΠΎΠ΅. ΠΠ΅Π· Π΄ΠΎΠ³ΠΎΠ²ΠΎΡΠ° ΡΡΠΈ Π°ΡΠΏΠ΅ΠΊΡΡ Π½Π΅ ΡΡΠΈΡΡΠ²Π°ΡΡΡΡ, ΡΡΠΎ ΠΌΠΎΠΆΠ΅Ρ ΠΏΡΠΈΠ²Π΅ΡΡΠΈ ΠΊ Π½Π΅ΡΠΏΡΠ°Π²Π΅Π΄Π»ΠΈΠ²ΠΎΠΌΡ ΡΠ°ΡΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΡ Π΄ΠΎΡ ΠΎΠ΄ΠΎΠ².
Π Π΅ΠΊΠΎΠΌΠ΅Π½Π΄Π°ΡΠΈΡ:
ΠΡΠ΅Π³Π΄Π° Π·Π°ΠΊΠ»ΡΡΠ°ΠΉΡΠ΅ Π΄ΠΎΠ³ΠΎΠ²ΠΎΡ ΠΎ ΡΠΎΠ°Π²ΡΠΎΡΡΡΠ²Π΅ Π΄ΠΎ Π½Π°ΡΠ°Π»Π° ΡΠ°Π±ΠΎΡΡ Π½Π°Π΄ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΡΠΌ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ΠΌ. ΠΡΠΎ ΠΏΠΎΠΌΠΎΠΆΠ΅Ρ ΠΈΠ·Π±Π΅ΠΆΠ°ΡΡ ΠΌΠ½ΠΎΠ³ΠΈΡ ΠΏΡΠΎΠ±Π»Π΅ΠΌ Π² Π±ΡΠ΄ΡΡΠ΅ΠΌ ΠΈ ΠΎΠ±Π΅ΡΠΏΠ΅ΡΠΈΡ ΠΏΡΠΎΠ·ΡΠ°ΡΠ½ΡΠ΅ ΠΈ ΡΠΏΡΠ°Π²Π΅Π΄Π»ΠΈΠ²ΡΠ΅ ΠΎΡΠ½ΠΎΡΠ΅Π½ΠΈΡ ΠΌΠ΅ΠΆΠ΄Ρ ΡΠΎΠ°Π²ΡΠΎΡΠ°ΠΌΠΈ. Π Π΄ΠΎΠ³ΠΎΠ²ΠΎΡΠ΅ ΡΠ΅ΡΠΊΠΎ ΠΏΡΠΎΠΏΠΈΡΠΈΡΠ΅ ΡΠ°ΡΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΠ΅ Π΄ΠΎΠ»Π΅ΠΉ Π² Π°Π²ΡΠΎΡΡΠΊΠΎΠΌ ΠΏΡΠ°Π²Π΅, ΠΏΠΎΡΡΠ΄ΠΎΠΊ ΡΠ°ΡΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΡ Π΄ΠΎΡ ΠΎΠ΄ΠΎΠ², ΠΏΡΠ°Π²Π° ΠΈ ΠΎΠ±ΡΠ·Π°Π½Π½ΠΎΡΡΠΈ ΠΊΠ°ΠΆΠ΄ΠΎΠ³ΠΎ ΡΠΎΠ°Π²ΡΠΎΡΠ°, Π° ΡΠ°ΠΊΠΆΠ΅ ΠΏΡΠΎΡΠ΅Π΄ΡΡΡ ΡΠ°Π·ΡΠ΅ΡΠ΅Π½ΠΈΡ ΡΠΏΠΎΡΠΎΠ².
ΠΠΎΠΆΠ΅Ρ Π»ΠΈ ΠΎΠ΄ΠΈΠ½ ΠΈΠ· ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² Π·Π°ΠΏΡΠ΅ΡΠΈΡΡ ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΡ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, Π΅ΡΠ»ΠΈ Π΄ΡΡΠ³ΠΈΠ΅ ΡΠΎΠ°Π²ΡΠΎΡΡ ΡΠΎΠ³Π»Π°ΡΠ½Ρ Π½Π° ΡΡΠΎ? ΠΠ°ΠΊΠΈΠ΅ ΠΏΡΠ°Π²Π° ΠΈΠΌΠ΅Π΅Ρ ΠΌΠ΅Π½ΡΡΠΈΠ½ΡΡΠ²ΠΎ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ²?
Π‘ΠΈΡΡΠ°ΡΠΈΡ, ΠΊΠΎΠ³Π΄Π° ΠΎΠ΄ΠΈΠ½ ΠΈΠ· ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² Π±Π»ΠΎΠΊΠΈΡΡΠ΅Ρ ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, Ρ ΠΎΡΡ Π΄ΡΡΠ³ΠΈΠ΅ “Π·Π°”, ΡΠ²Π»ΡΠ΅ΡΡΡ ΡΠ»ΠΎΠΆΠ½ΠΎΠΉ ΠΈ Π·Π°Π²ΠΈΡΠΈΡ ΠΎΡ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΈΡ ΡΠ°ΠΊΡΠΎΡΠΎΠ², Π² ΡΠ°ΡΡΠ½ΠΎΡΡΠΈ, ΠΎΡ Π²ΠΈΠ΄Π° ΡΠΎΠ°Π²ΡΠΎΡΡΡΠ²Π° (ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ΅ ΠΈΠ»ΠΈ ΡΠ±ΠΎΡΠ½ΠΎΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅), Π½Π°Π»ΠΈΡΠΈΡ Π΄ΠΎΠ³ΠΎΠ²ΠΎΡΠ° ΠΌΠ΅ΠΆΠ΄Ρ ΡΠΎΠ°Π²ΡΠΎΡΠ°ΠΌΠΈ ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠ° Π²ΠΎΠ·ΡΠ°ΠΆΠ΅Π½ΠΈΠΉ ΠΏΡΠΎΡΠΈΠ² ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΠΈ.
Π‘ΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅: ΠΡΠ»ΠΈ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΡΠ²Π»ΡΠ΅ΡΡΡ ΠΎΠ±ΡΠΈΠΌ (Π½Π΅Π΄Π΅Π»ΠΈΠΌΡΠΌ), ΡΠΎ, ΠΏΠΎ ΠΎΠ±ΡΠ΅ΠΌΡ ΠΏΡΠ°Π²ΠΈΠ»Ρ, Π΄Π»Ρ Π΅Π³ΠΎ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ, Π²ΠΊΠ»ΡΡΠ°Ρ ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΡ, ΡΡΠ΅Π±ΡΠ΅ΡΡΡ ΡΠΎΠ³Π»Π°ΡΠΈΠ΅ Π²ΡΠ΅Ρ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ². Π‘Π»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»ΡΠ½ΠΎ, ΠΎΠ΄ΠΈΠ½ ΡΠΎΠ°Π²ΡΠΎΡ ΠΌΠΎΠΆΠ΅Ρ Π·Π°Π±Π»ΠΎΠΊΠΈΡΠΎΠ²Π°ΡΡ ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΡ, Π΄Π°ΠΆΠ΅ Π΅ΡΠ»ΠΈ Π΄ΡΡΠ³ΠΈΠ΅ ΡΠΎΠ³Π»Π°ΡΠ½Ρ. ΠΡΠΎ ΡΠ»Π΅Π΄ΡΠ΅Ρ ΠΈΠ· ΠΏΡΠΈΠ½ΡΠΈΠΏΠ° ΠΎΠ±ΡΠ½ΠΎΡΡΠΈ ΠΈΠΌΡΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ ΠΏΡΠ°Π² Π½Π° ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅. ΠΡΠΊΠ»ΡΡΠ΅Π½ΠΈΡ ΠΈΠ· ΡΡΠΎΠ³ΠΎ ΠΏΡΠ°Π²ΠΈΠ»Π° ΠΌΠΎΠ³ΡΡ Π±ΡΡΡ ΠΏΡΠ΅Π΄ΡΡΠΌΠΎΡΡΠ΅Π½Ρ Π΄ΠΎΠ³ΠΎΠ²ΠΎΡΠΎΠΌ ΠΌΠ΅ΠΆΠ΄Ρ ΡΠΎΠ°Π²ΡΠΎΡΠ°ΠΌΠΈ.
Π‘Π±ΠΎΡΠ½ΠΎΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅: ΠΡΠ»ΠΈ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΡΠ²Π»ΡΠ΅ΡΡΡ ΡΠ±ΠΎΡΠ½ΡΠΌ, ΡΠΎ Π΅ΡΡΡ ΡΠΎΡΡΠΎΠΈΡ ΠΈΠ· ΠΎΡΠ΄Π΅Π»ΡΠ½ΡΡ , ΡΠ°ΠΌΠΎΡΡΠΎΡΡΠ΅Π»ΡΠ½ΡΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ, ΠΊΠ°ΠΆΠ΄ΡΠΉ Π°Π²ΡΠΎΡ ΡΠΎΡ ΡΠ°Π½ΡΠ΅Ρ Π°Π²ΡΠΎΡΡΠΊΠΎΠ΅ ΠΏΡΠ°Π²ΠΎ Π½Π° ΡΠ²ΠΎΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅. Π ΡΡΠΎΠΌ ΡΠ»ΡΡΠ°Π΅ ΡΠΎΠ°Π²ΡΠΎΡ Π½Π΅ ΠΌΠΎΠΆΠ΅Ρ Π·Π°ΠΏΡΠ΅ΡΠΈΡΡ ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π΄ΡΡΠ³ΠΈΡ Π°Π²ΡΠΎΡΠΎΠ², Π½ΠΎ ΠΌΠΎΠΆΠ΅Ρ Π·Π°ΠΏΡΠ΅ΡΠΈΡΡ Π²ΠΊΠ»ΡΡΠ΅Π½ΠΈΠ΅ ΡΠ²ΠΎΠ΅Π³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Π² ΡΠ±ΠΎΡΠ½ΠΈΠΊ.
ΠΠ°Π»ΠΈΡΠΈΠ΅ Π΄ΠΎΠ³ΠΎΠ²ΠΎΡΠ°: ΠΠΎΠ³ΠΎΠ²ΠΎΡ ΠΌΠ΅ΠΆΠ΄Ρ ΡΠΎΠ°Π²ΡΠΎΡΠ°ΠΌΠΈ ΠΌΠΎΠΆΠ΅Ρ ΠΈΠ·ΠΌΠ΅Π½ΡΡΡ ΠΎΠ±ΡΠΈΠ΅ ΠΏΡΠ°Π²ΠΈΠ»Π°. ΠΠ°ΠΏΡΠΈΠΌΠ΅Ρ, Π² Π΄ΠΎΠ³ΠΎΠ²ΠΎΡΠ΅ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΠΏΡΠ΅Π΄ΡΡΠΌΠΎΡΡΠ΅Π½ΠΎ, ΡΡΠΎ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ ΠΎ ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΠΈ ΠΏΡΠΈΠ½ΠΈΠΌΠ°Π΅ΡΡΡ Π±ΠΎΠ»ΡΡΠΈΠ½ΡΡΠ²ΠΎΠΌ Π³ΠΎΠ»ΠΎΡΠΎΠ² ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ², ΠΈΠ»ΠΈ ΡΡΠΎ ΠΎΠ΄ΠΈΠ½ ΠΈΠ· ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² ΠΈΠΌΠ΅Π΅Ρ ΠΏΡΠ°Π²ΠΎ ΡΠ΅ΡΠ°ΡΡΠ΅Π³ΠΎ Π³ΠΎΠ»ΠΎΡΠ°. Π’Π°ΠΊΠΆΠ΅ Π΄ΠΎΠ³ΠΎΠ²ΠΎΡ ΠΌΠΎΠΆΠ΅Ρ ΠΏΡΠ΅Π΄ΡΡΠΌΠ°ΡΡΠΈΠ²Π°ΡΡ ΠΏΡΠΎΡΠ΅Π΄ΡΡΡ ΡΠ°Π·ΡΠ΅ΡΠ΅Π½ΠΈΡ ΡΠΏΠΎΡΠΎΠ², Π²ΠΎΠ·Π½ΠΈΠΊΠ°ΡΡΠΈΡ Π² ΡΠ²ΡΠ·ΠΈ Ρ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ΠΌ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ.
Π₯Π°ΡΠ°ΠΊΡΠ΅Ρ Π²ΠΎΠ·ΡΠ°ΠΆΠ΅Π½ΠΈΠΉ: ΠΠ°ΠΆΠ½ΠΎ ΡΡΠΈΡΡΠ²Π°ΡΡ ΠΏΡΠΈΡΠΈΠ½Ρ, ΠΏΠΎ ΠΊΠΎΡΠΎΡΡΠΌ ΡΠΎΠ°Π²ΡΠΎΡ Π²ΠΎΠ·ΡΠ°ΠΆΠ°Π΅Ρ ΠΏΡΠΎΡΠΈΠ² ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΠΈ. ΠΡΠ»ΠΈ Π²ΠΎΠ·ΡΠ°ΠΆΠ΅Π½ΠΈΡ ΠΎΡΠ½ΠΎΠ²ΡΠ²Π°ΡΡΡΡ Π½Π° ΠΎΠ±ΠΎΡΠ½ΠΎΠ²Π°Π½Π½ΡΡ ΠΎΠΏΠ°ΡΠ΅Π½ΠΈΡΡ ΠΎΡΠ½ΠΎΡΠΈΡΠ΅Π»ΡΠ½ΠΎ ΠΊΠ°ΡΠ΅ΡΡΠ²Π° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, Π½Π°ΡΡΡΠ΅Π½ΠΈΡ Π°Π²ΡΠΎΡΡΠΊΠΈΡ ΠΏΡΠ°Π² ΡΡΠ΅ΡΡΠΈΡ Π»ΠΈΡ ΠΈΠ»ΠΈ Π΄ΡΡΠ³ΠΈΡ Π²Π°ΠΆΠ½ΡΡ ΡΠ°ΠΊΡΠΎΡΠΎΠ², ΡΡΠΎΠΈΡ ΠΏΠΎΠΏΡΡΠ°ΡΡΡΡ Π½Π°ΠΉΡΠΈ ΠΊΠΎΠΌΠΏΡΠΎΠΌΠΈΡΡΠ½ΠΎΠ΅ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅. ΠΡΠ»ΠΈ ΠΆΠ΅ Π²ΠΎΠ·ΡΠ°ΠΆΠ΅Π½ΠΈΡ ΡΠ²Π»ΡΡΡΡΡ Π½Π΅ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΈΠ²Π½ΡΠΌΠΈ ΠΈΠ»ΠΈ Π½Π΅ΠΎΠ±ΠΎΡΠ½ΠΎΠ²Π°Π½Π½ΡΠΌΠΈ, Π΄ΡΡΠ³ΠΈΠ΅ ΡΠΎΠ°Π²ΡΠΎΡΡ ΠΌΠΎΠ³ΡΡ ΠΎΠ±ΡΠ°ΡΠΈΡΡΡΡ Π² ΡΡΠ΄ Π΄Π»Ρ Π·Π°ΡΠΈΡΡ ΡΠ²ΠΎΠΈΡ ΠΏΡΠ°Π².
ΠΡΠ°Π²Π° ΠΌΠ΅Π½ΡΡΠΈΠ½ΡΡΠ²Π° ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ²:
ΠΠ°ΠΆΠ΅ Π΅ΡΠ»ΠΈ Π΄ΠΎΠ³ΠΎΠ²ΠΎΡ ΠΏΡΠ΅Π΄ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅Ρ ΠΏΡΠΈΠ½ΡΡΠΈΠ΅ ΡΠ΅ΡΠ΅Π½ΠΈΠΉ Π±ΠΎΠ»ΡΡΠΈΠ½ΡΡΠ²ΠΎΠΌ Π³ΠΎΠ»ΠΎΡΠΎΠ², ΠΌΠ΅Π½ΡΡΠΈΠ½ΡΡΠ²ΠΎ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² Π²ΡΠ΅ ΡΠ°Π²Π½ΠΎ ΠΈΠΌΠ΅Π΅Ρ ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΡΠ΅ ΠΏΡΠ°Π²Π°:
- ΠΡΠ°Π²ΠΎ Π½Π° ΠΏΠΎΠ»ΡΡΠ΅Π½ΠΈΠ΅ ΡΠ²ΠΎΠ΅ΠΉ Π΄ΠΎΠ»ΠΈ Π΄ΠΎΡ ΠΎΠ΄Π°: ΠΠ΅Π·Π°Π²ΠΈΡΠΈΠΌΠΎ ΠΎΡ ΡΠΎΠ³ΠΎ, ΡΠΎΠ³Π»Π°ΡΠ½Ρ Π»ΠΈ ΠΎΠ½ΠΈ Ρ ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΠ΅ΠΉ, ΠΌΠ΅Π½ΡΡΠΈΠ½ΡΡΠ²ΠΎ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² ΠΈΠΌΠ΅Π΅Ρ ΠΏΡΠ°Π²ΠΎ Π½Π° ΠΏΠΎΠ»ΡΡΠ΅Π½ΠΈΠ΅ ΡΠ²ΠΎΠ΅ΠΉ Π΄ΠΎΠ»ΠΈ Π΄ΠΎΡ ΠΎΠ΄Π° ΠΎΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ.
- ΠΡΠ°Π²ΠΎ Π½Π° Π·Π°ΡΠΈΡΡ Π»ΠΈΡΠ½ΡΡ Π½Π΅ΠΈΠΌΡΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ ΠΏΡΠ°Π²: ΠΠ°ΠΆΠ΄ΡΠΉ ΡΠΎΠ°Π²ΡΠΎΡ ΠΈΠΌΠ΅Π΅Ρ ΠΏΡΠ°Π²ΠΎ Π½Π° Π·Π°ΡΠΈΡΡ ΡΠ²ΠΎΠΈΡ Π»ΠΈΡΠ½ΡΡ Π½Π΅ΠΈΠΌΡΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ ΠΏΡΠ°Π², ΡΠ°ΠΊΠΈΡ ΠΊΠ°ΠΊ ΠΏΡΠ°Π²ΠΎ Π°Π²ΡΠΎΡΡΡΠ²Π°, ΠΏΡΠ°Π²ΠΎ Π½Π° ΠΈΠΌΡ ΠΈ ΠΏΡΠ°Π²ΠΎ Π½Π° Π½Π΅ΠΏΡΠΈΠΊΠΎΡΠ½ΠΎΠ²Π΅Π½Π½ΠΎΡΡΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ. ΠΠ°ΠΏΡΠΈΠΌΠ΅Ρ, ΡΠΎΠ°Π²ΡΠΎΡ ΠΌΠΎΠΆΠ΅Ρ Π²ΠΎΠ·ΡΠ°ΠΆΠ°ΡΡ ΠΏΡΠΎΡΠΈΠ² ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΠΈ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ ΠΏΠΎΠ΄ ΠΈΠ·ΠΌΠ΅Π½Π΅Π½Π½ΡΠΌ Π½Π°Π·Π²Π°Π½ΠΈΠ΅ΠΌ ΠΈΠ»ΠΈ Ρ Π²Π½Π΅ΡΠ΅Π½Π½ΡΠΌΠΈ ΠΈΠ·ΠΌΠ΅Π½Π΅Π½ΠΈΡΠΌΠΈ, ΠΊΠΎΡΠΎΡΡΠ΅ ΠΈΡΠΊΠ°ΠΆΠ°ΡΡ Π΅Π³ΠΎ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΈΠΉ Π·Π°ΠΌΡΡΠ΅Π».
- ΠΡΠ°Π²ΠΎ Π½Π° ΠΎΠ±ΡΠ°ΡΠ΅Π½ΠΈΠ΅ Π² ΡΡΠ΄: ΠΡΠ»ΠΈ ΠΌΠ΅Π½ΡΡΠΈΠ½ΡΡΠ²ΠΎ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² ΡΡΠΈΡΠ°Π΅Ρ, ΡΡΠΎ ΠΈΡ ΠΏΡΠ°Π²Π° Π½Π°ΡΡΡΠ°ΡΡΡΡ, ΠΎΠ½ΠΈ ΠΈΠΌΠ΅ΡΡ ΠΏΡΠ°Π²ΠΎ ΠΎΠ±ΡΠ°ΡΠΈΡΡΡΡ Π² ΡΡΠ΄ Π΄Π»Ρ Π·Π°ΡΠΈΡΡ ΡΠ²ΠΎΠΈΡ ΠΈΠ½ΡΠ΅ΡΠ΅ΡΠΎΠ².
Π Π»ΡΠ±ΠΎΠΌ ΡΠ»ΡΡΠ°Π΅, ΡΠ΅ΠΊΠΎΠΌΠ΅Π½Π΄ΡΠ΅ΡΡΡ ΡΡΡΠ΅ΠΌΠΈΡΡΡΡ Π΄ΠΎΡΡΠΈΡΡ ΠΊΠΎΠ½ΡΠ΅Π½ΡΡΡΠ° ΠΌΠ΅ΠΆΠ΄Ρ Π²ΡΠ΅ΠΌΠΈ ΡΠΎΠ°Π²ΡΠΎΡΠ°ΠΌΠΈ ΠΈ ΡΠ΅ΡΠ°ΡΡ ΡΠΏΠΎΡΠ½ΡΠ΅ Π²ΠΎΠΏΡΠΎΡΡ ΠΏΡΡΠ΅ΠΌ ΠΏΠ΅ΡΠ΅Π³ΠΎΠ²ΠΎΡΠΎΠ². ΠΠ±ΡΠ°ΡΠ΅Π½ΠΈΠ΅ Π² ΡΡΠ΄ – ΡΡΠΎ ΠΊΡΠ°ΠΉΠ½ΡΡ ΠΌΠ΅ΡΠ°, ΠΊΠΎΡΠΎΡΠ°Ρ ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ Π΄Π»ΠΈΡΠ΅Π»ΡΠ½ΠΎΠΉ ΠΈ Π·Π°ΡΡΠ°ΡΠ½ΠΎΠΉ.
ΠΡΠ»ΠΈ ΡΠΎΠ°Π²ΡΠΎΡ Π²Π½Π΅Ρ Π½Π΅Π·Π½Π°ΡΠΈΡΠ΅Π»ΡΠ½ΡΠΉ Π²ΠΊΠ»Π°Π΄ Π² ΡΠΎΠ·Π΄Π°Π½ΠΈΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ, ΠΏΠΎΠΌΠΎΠ³ Ρ ΡΠ΅Π΄Π°ΠΊΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅ΠΌ), ΡΡΠΈΡΠ°Π΅ΡΡΡ Π»ΠΈ ΠΎΠ½ ΠΏΠΎΠ»Π½ΠΎΡΠ΅Π½Π½ΡΠΌ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠΌ ΡΠΎ Π²ΡΠ΅ΠΌΠΈ ΠΏΡΠ°Π²Π°ΠΌΠΈ? ΠΠ°ΠΊ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΡ "ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΈΠΉ Π²ΠΊΠ»Π°Π΄"?
ΠΠ»ΡΡΠ΅Π²ΡΠΌ ΠΊΡΠΈΡΠ΅ΡΠΈΠ΅ΠΌ Π΄Π»Ρ ΠΏΡΠΈΠ·Π½Π°Π½ΠΈΡ Π»ΠΈΡΠ° ΡΠΎΠ°Π²ΡΠΎΡΠΎΠΌ ΡΠ²Π»ΡΠ΅ΡΡΡ Π½Π°Π»ΠΈΡΠΈΠ΅ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΎΠ³ΠΎ Π²ΠΊΠ»Π°Π΄Π° Π² ΡΠΎΠ·Π΄Π°Π½ΠΈΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ. ΠΠ΅Π·Π½Π°ΡΠΈΡΠ΅Π»ΡΠ½ΡΠΉ Π²ΠΊΠ»Π°Π΄, ΡΠ°ΠΊΠΎΠΉ ΠΊΠ°ΠΊ ΡΠ΅Π΄Π°ΠΊΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅, ΠΊΠΎΡΡΠ΅ΠΊΡΡΡΠ°, ΡΠ΅Ρ Π½ΠΈΡΠ΅ΡΠΊΠ°Ρ ΠΏΠΎΠΌΠΎΡΡ ΠΈ Ρ.Π΄., Π½Π΅ ΡΠ²Π»ΡΠ΅ΡΡΡ ΠΎΡΠ½ΠΎΠ²Π°Π½ΠΈΠ΅ΠΌ Π΄Π»Ρ ΠΏΡΠΈΠ·Π½Π°Π½ΠΈΡ Π»ΠΈΡΠ° ΡΠΎΠ°Π²ΡΠΎΡΠΎΠΌ. Π Π΅Π΄Π°ΠΊΡΠΎΡ, ΠΊΠΎΡΡΠ΅ΠΊΡΠΎΡ ΠΈΠ»ΠΈ ΡΠ΅Ρ Π½ΠΈΡΠ΅ΡΠΊΠΈΠΉ ΡΠΏΠ΅ΡΠΈΠ°Π»ΠΈΡΡ, ΠΊΠΎΡΠΎΡΡΠ΅ ΠΏΠΎΠΌΠΎΠ³Π°Π»ΠΈ Π² ΠΏΠΎΠ΄Π³ΠΎΡΠΎΠ²ΠΊΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ ΠΊ ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΠΈ, Π½Π΅ ΠΏΡΠΈΠΎΠ±ΡΠ΅ΡΠ°ΡΡ Π°Π²ΡΠΎΡΡΠΊΠΈΡ ΠΏΡΠ°Π² Π½Π° ΡΠ°ΠΌΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅.
ΠΠ°ΠΊ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΡ “ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΈΠΉ Π²ΠΊΠ»Π°Π΄”?
Π’Π²ΠΎΡΡΠ΅ΡΠΊΠΈΠΉ Π²ΠΊΠ»Π°Π΄ – ΡΡΠΎ Π²ΠΊΠ»Π°Π΄, ΠΊΠΎΡΠΎΡΡΠΉ ΠΈΠΌΠ΅Π΅Ρ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΡΠΉ ΠΈ Π°Π²ΡΠΎΡΡΠΊΠΈΠΉ Ρ Π°ΡΠ°ΠΊΡΠ΅Ρ. ΠΠ½ Π΄ΠΎΠ»ΠΆΠ΅Π½ Π±ΡΡΡ ΡΠ΅Π·ΡΠ»ΡΡΠ°ΡΠΎΠΌ ΠΈΠ½ΡΠ΅Π»Π»Π΅ΠΊΡΡΠ°Π»ΡΠ½ΠΎΠ³ΠΎ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π° ΠΈ ΡΠΏΠΎΡΠΎΠ±ΡΡΠ²ΠΎΠ²Π°ΡΡ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ Π½ΠΎΠ²ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ.
ΠΠΎΡ Π½Π΅ΠΊΠΎΡΠΎΡΡΠ΅ ΠΏΡΠΈΠΌΠ΅ΡΡ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΎΠ³ΠΎ Π²ΠΊΠ»Π°Π΄Π°:
- ΠΠ°ΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΡΠ΅ΠΊΡΡΠ°: Π‘ΠΎΠ·Π΄Π°Π½ΠΈΠ΅ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΠΎΠ³ΠΎ Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, ΡΡΠ°ΡΡΠΈ, ΡΡΠ΅Π½Π°ΡΠΈΡ ΠΈ Ρ. Π.
- Π‘ΠΎΠ·Π΄Π°Π½ΠΈΠ΅ ΠΌΡΠ·ΡΠΊΠΈ: ΠΠΎΠΌΠΏΠΎΠ½ΠΎΠ²ΠΊΠ° ΠΌΠ΅Π»ΠΎΠ΄ΠΈΠΈ, Π½Π°ΠΏΠΈΡΠ°Π½ΠΈΠ΅ Π°ΡΠ°Π½ΠΆΠΈΡΠΎΠ²ΠΊΠΈ.
- Π‘ΠΎΠ·Π΄Π°Π½ΠΈΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΡ: ΠΠ°ΠΏΠΈΡΠ°Π½ΠΈΠ΅ ΠΊΠ°ΡΡΠΈΠ½Ρ, ΡΠΎΠ·Π΄Π°Π½ΠΈΠ΅ ΡΠΎΡΠΎΠ³ΡΠ°ΡΠΈΠΈ, ΡΠ°Π·ΡΠ°Π±ΠΎΡΠΊΠ° Π΄ΠΈΠ·Π°ΠΉΠ½Π°.
- Π Π°Π·ΡΠ°Π±ΠΎΡΠΊΠ° ΠΏΡΠΎΠ³ΡΠ°ΠΌΠΌΠ½ΠΎΠ³ΠΎ ΠΊΠΎΠ΄Π°: Π‘ΠΎΠ·Π΄Π°Π½ΠΈΠ΅ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠ³ΡΠ°ΠΌΠΌΠ½ΠΎΠ³ΠΎ ΠΎΠ±Π΅ΡΠΏΠ΅ΡΠ΅Π½ΠΈΡ.
- Π‘ΠΎΠ·Π΄Π°Π½ΠΈΠ΅ Π°ΡΡ ΠΈΡΠ΅ΠΊΡΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠ΅ΠΊΡΠ°: Π Π°Π·ΡΠ°Π±ΠΎΡΠΊΠ° ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠ΅ΠΊΡΠ° Π·Π΄Π°Π½ΠΈΡ.
ΠΠ°ΡΠΎ Π²ΠΎΡ Π½Π΅ΠΊΠΎΡΠΎΡΡΠ΅ ΠΏΡΠΈΠΌΠ΅ΡΡ Π²ΠΊΠ»Π°Π΄Π°, ΠΊΠΎΡΠΎΡΡΠ΅ Π½Π΅ ΡΠ²Π»ΡΡΡΡΡ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΈΠΌΠΈ:
- Π Π΅Π΄Π°ΠΊΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅ ΠΈ ΠΊΠΎΡΡΠ΅ΠΊΡΡΡΠ°: ΠΡΠΏΡΠ°Π²Π»Π΅Π½ΠΈΠ΅ Π³ΡΠ°ΠΌΠΌΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΡ ΠΈ ΡΡΠΈΠ»ΠΈΡΡΠΈΡΠ΅ΡΠΊΠΈΡ ΠΎΡΠΈΠ±ΠΎΠΊ, ΠΏΡΠΎΠ²Π΅ΡΠΊΠ° ΡΠ°ΠΊΡΠΎΠ².
- ΠΠ΅ΡΡΡΠΊΠ° ΠΈ Π΄ΠΈΠ·Π°ΠΉΠ½: ΠΡΠΎΡΠΌΠ»Π΅Π½ΠΈΠ΅ ΡΠ΅ΠΊΡΡΠ°, ΠΏΠΎΠ΄Π±ΠΎΡ ΡΡΠΈΡΡΠΎΠ² ΠΈ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠΉ.
- Π’Π΅Ρ Π½ΠΈΡΠ΅ΡΠΊΠ°Ρ ΠΏΠΎΠΌΠΎΡΡ: ΠΠ°ΠΏΠΈΡΡ ΠΌΡΠ·ΡΠΊΠΈ, ΡΠΊΠ°Π½ΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠΉ.
- Π€ΠΈΠ½Π°Π½ΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅ ΠΏΡΠΎΠ΅ΠΊΡΠ°: ΠΡΠ΅Π΄ΠΎΡΡΠ°Π²Π»Π΅Π½ΠΈΠ΅ ΡΠΈΠ½Π°Π½ΡΠΎΠ²ΠΎΠΉ ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΊΠΈ Π΄Π»Ρ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ.
ΠΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΠ΅ ΡΠΎΠ°Π²ΡΠΎΡΡΡΠ²Π° Π² ΡΠ»ΠΎΠΆΠ½ΡΡ ΡΠ»ΡΡΠ°ΡΡ :
Π Π½Π΅ΠΊΠΎΡΠΎΡΡΡ ΡΠ»ΡΡΠ°ΡΡ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΡ Π½Π°Π»ΠΈΡΠΈΠ΅ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΎΠ³ΠΎ Π²ΠΊΠ»Π°Π΄Π° ΠΌΠΎΠΆΠ΅Ρ Π±ΡΡΡ ΡΠ»ΠΎΠΆΠ½ΠΎ. ΠΠ°ΠΏΡΠΈΠΌΠ΅Ρ, Π΅ΡΠ»ΠΈ ΡΠ΅Π΄Π°ΠΊΡΠΎΡ Π½Π΅ ΠΏΡΠΎΡΡΠΎ ΠΈΡΠΏΡΠ°Π²Π»ΡΠ» ΠΎΡΠΈΠ±ΠΊΠΈ, Π° Π²Π½ΠΎΡΠΈΠ» ΡΡΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΠ΅ ΠΈΠ·ΠΌΠ΅Π½Π΅Π½ΠΈΡ Π² ΡΡΠΆΠ΅Ρ, ΡΡΡΡΠΊΡΡΡΡ ΠΈΠ»ΠΈ ΠΈΠ΄Π΅ΠΉΠ½ΠΎΠ΅ ΡΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, ΡΠΎ ΠΎΠ½ ΠΌΠΎΠΆΠ΅Ρ ΠΏΡΠ΅ΡΠ΅Π½Π΄ΠΎΠ²Π°ΡΡ Π½Π° ΡΡΠ°ΡΡΡ ΡΠΎΠ°Π²ΡΠΎΡΠ°.
Π ΡΠ°ΠΊΠΈΡ ΡΠ»ΡΡΠ°ΡΡ Π²Π°ΠΆΠ½ΠΎ ΡΡΠΈΡΡΠ²Π°ΡΡ ΠΊΠΎΠ½ΠΊΡΠ΅ΡΠ½ΡΠ΅ ΠΎΠ±ΡΡΠΎΡΡΠ΅Π»ΡΡΡΠ²Π° ΠΈ Ρ Π°ΡΠ°ΠΊΡΠ΅Ρ Π²ΠΊΠ»Π°Π΄Π° ΠΊΠ°ΠΆΠ΄ΠΎΠ³ΠΎ Π»ΠΈΡΠ°. Π Π΅ΠΊΠΎΠΌΠ΅Π½Π΄ΡΠ΅ΡΡΡ ΡΠ΅ΡΠΊΠΎ ΠΎΠ±ΡΡΠΆΠ΄Π°ΡΡ ΠΈ ΡΠΈΠΊΡΠΈΡΠΎΠ²Π°ΡΡ Π² Π΄ΠΎΠ³ΠΎΠ²ΠΎΡΠ΅ ΡΠ°ΡΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΠ΅ ΡΠΎΠ»Π΅ΠΉ ΠΈ ΠΎΠ±ΡΠ·Π°Π½Π½ΠΎΡΡΠ΅ΠΉ ΠΊΠ°ΠΆΠ΄ΠΎΠ³ΠΎ ΡΡΠ°ΡΡΠ½ΠΈΠΊΠ° ΠΏΡΠΎΠ΅ΠΊΡΠ°.
ΠΠ°ΠΊΠ»ΡΡΠ΅Π½ΠΈΠ΅:
ΠΡΠ»ΠΈ Π²ΠΊΠ»Π°Π΄ Π»ΠΈΡΠ° ΠΎΠ³ΡΠ°Π½ΠΈΡΠΈΠ²Π°Π΅ΡΡΡ ΡΠ΅Π΄Π°ΠΊΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅ΠΌ, ΠΊΠΎΡΡΠ΅ΠΊΡΡΡΠΎΠΉ ΠΈΠ»ΠΈ ΠΈΠ½ΠΎΠΉ ΡΠ΅Ρ Π½ΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΏΠΎΠΌΠΎΡΡΡ, ΠΎΠ½ΠΎ Π½Π΅ ΡΡΠΈΡΠ°Π΅ΡΡΡ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠΌ ΠΈ Π½Π΅ ΠΈΠΌΠ΅Π΅Ρ Π°Π²ΡΠΎΡΡΠΊΠΈΡ ΠΏΡΠ°Π² Π½Π° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅. ΠΠ»Ρ ΠΏΡΠΈΠ·Π½Π°Π½ΠΈΡ ΡΠΎΠ°Π²ΡΠΎΡΡΡΠ²Π° Π½Π΅ΠΎΠ±Ρ ΠΎΠ΄ΠΈΠΌ ΠΎΡΠΈΠ³ΠΈΠ½Π°Π»ΡΠ½ΡΠΉ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΈΠΉ Π²ΠΊΠ»Π°Π΄, ΠΊΠΎΡΠΎΡΡΠΉ ΡΠΏΠΎΡΠΎΠ±ΡΡΠ²ΡΠ΅Ρ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ Π½ΠΎΠ²ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ.
ΠΠΎΠΆΠ½ΠΎ Π»ΠΈ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ ΡΠ°ΡΡΡ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ, ΠΎΡΡΡΠ²ΠΎΠΊ ΠΈΠ· ΠΊΠ½ΠΈΠ³ΠΈ, Π½Π°ΠΏΠΈΡΠ°Π½Π½ΠΎΠΉ Π² ΡΠΎΠ°Π²ΡΠΎΡΡΡΠ²Π΅) Π² ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΠΎΠΌ Π½ΠΎΠ²ΠΎΠΌ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΈ Π±Π΅Π· ΡΠΎΠ³Π»Π°ΡΠΈΡ Π΄ΡΡΠ³ΠΈΡ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ²?
ΠΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ ΡΠ°ΡΡΠΈ ΠΎΠ±ΡΠ΅Π³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Π² ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΠΎΠΌ Π½ΠΎΠ²ΠΎΠΌ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΈ Π±Π΅Π· ΡΠΎΠ³Π»Π°ΡΠΈΡ Π΄ΡΡΠ³ΠΈΡ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² ΡΠ²Π»ΡΠ΅ΡΡΡ ΡΠ»ΠΎΠΆΠ½ΡΠΌ Π²ΠΎΠΏΡΠΎΡΠΎΠΌ ΠΈ Π·Π°Π²ΠΈΡΠΈΡ ΠΎΡ Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΈΡ ΡΠ°ΠΊΡΠΎΡΠΎΠ². ΠΡΠ½ΠΎΠ²Π½ΠΎΠΉ ΠΏΡΠΈΠ½ΡΠΈΠΏ – ΠΎΠ±ΡΠ½ΠΎΡΡΡ ΠΈΠΌΡΡΠ΅ΡΡΠ²Π΅Π½Π½ΡΡ ΠΏΡΠ°Π² Π½Π° ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅. ΠΡΠΎ ΠΎΠ·Π½Π°ΡΠ°Π΅Ρ, ΡΡΠΎ Π»ΡΠ±ΠΎΠ΅ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, ΠΊΠΎΡΠΎΡΠΎΠ΅ ΠΏΡΠ΅Π΄ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅Ρ ΠΏΠΎΠ»ΡΡΠ΅Π½ΠΈΠ΅ ΠΏΡΠΈΠ±ΡΠ»ΠΈ ΠΈΠ»ΠΈ Π΄ΡΡΠ³ΠΎΠΉ ΡΠΊΠΎΠ½ΠΎΠΌΠΈΡΠ΅ΡΠΊΠΎΠΉ Π²ΡΠ³ΠΎΠ΄Ρ, ΡΡΠ΅Π±ΡΠ΅Ρ ΡΠΎΠ³Π»Π°ΡΠΈΡ Π²ΡΠ΅Ρ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ².
Π‘Π»ΡΡΠ°ΠΈ, ΠΊΠΎΠ³Π΄Π° ΡΠΎΠ³Π»Π°ΡΠΈΠ΅ Π΄ΡΡΠ³ΠΈΡ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² Π½Π΅ ΡΡΠ΅Π±ΡΠ΅ΡΡΡ:
- ΠΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ Π² ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΈ Π½Π°ΡΠΊΠΈ, Π»ΠΈΡΠ΅ΡΠ°ΡΡΡΡ, ΠΈΡΠΊΡΡΡΡΠ²Π°, ΠΊΡΠΈΡΠΈΠΊΠΈ ΠΈΠ»ΠΈ ΠΏΠΎΠ»Π΅ΠΌΠΈΠΊΠΈ: ΠΠ°ΠΊΠΎΠ½ Π£ΠΊΡΠ°ΠΈΠ½Ρ “ΠΠ± Π°Π²ΡΠΎΡΡΠΊΠΎΠΌ ΠΏΡΠ°Π²Π΅ ΠΈ ΡΠΌΠ΅ΠΆΠ½ΡΡ ΠΏΡΠ°Π²Π°Ρ ” ΠΏΡΠ΅Π΄ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅Ρ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ ΠΎΡΡΡΠ²ΠΊΠΎΠ² ΠΈΠ· ΠΎΠΏΡΠ±Π»ΠΈΠΊΠΎΠ²Π°Π½Π½ΡΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΉ Π² Π½Π°ΡΡΠ½ΡΡ , ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»ΡΡΠΊΠΈΡ , ΠΊΡΠΈΡΠΈΡΠ΅ΡΠΊΠΈΡ , ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΎΠ½Π½ΡΡ , ΠΏΠΎΠ»Π΅ΠΌΠΈΡΠ΅ΡΠΊΠΈΡ ΠΈ ΠΎΠ±ΡΠ°Π·ΠΎΠ²Π°ΡΠ΅Π»ΡΠ½ΡΡ ΡΠ΅Π»ΡΡ Π±Π΅Π· ΡΠΎΠ³Π»Π°ΡΠΈΡ Π°Π²ΡΠΎΡΠ° ΠΈ Π±Π΅Π· Π²ΡΠΏΠ»Π°ΡΡ Π°Π²ΡΠΎΡΡΠΊΠΎΠ³ΠΎ Π²ΠΎΠ·Π½Π°Π³ΡΠ°ΠΆΠ΄Π΅Π½ΠΈΡ. ΠΠ΄Π½Π°ΠΊΠΎ, ΡΠ°ΠΊΠΎΠ΅ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ Π΄ΠΎΠ»ΠΆΠ½ΠΎ Π±ΡΡΡ ΠΎΠ±ΠΎΡΠ½ΠΎΠ²Π°Π½ΠΎ ΡΠ΅Π»ΡΡ, ΡΠΎ Π΅ΡΡΡ ΠΎΡΡΡΠ²ΠΎΠΊ Π΄ΠΎΠ»ΠΆΠ΅Π½ ΠΈΠ»Π»ΡΡΡΡΠΈΡΠΎΠ²Π°ΡΡ ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΡΡ ΠΌΡΡΠ»Ρ ΠΈΠ»ΠΈ Π°ΡΠ³ΡΠΌΠ΅Π½Ρ. Π’Π°ΠΊΠΆΠ΅ ΠΎΠ±ΡΠ·Π°ΡΠ΅Π»ΡΠ½ΠΎ Π½ΡΠΆΠ½ΠΎ ΡΠΊΠ°Π·ΡΠ²Π°ΡΡ ΠΈΠΌΡ Π°Π²ΡΠΎΡΠ° ΠΈ ΠΈΡΡΠΎΡΠ½ΠΈΠΊ Π·Π°ΠΈΠΌΡΡΠ²ΠΎΠ²Π°Π½ΠΈΡ.
- Π‘ΠΎΠ·Π΄Π°Π½ΠΈΠ΅ Π½ΠΎΠ²ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Π½Π° ΠΎΡΠ½ΠΎΠ²Π΅ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ³ΠΎ: ΠΠ°ΠΆΠ΄ΡΠΉ ΠΈΠ· ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² ΠΈΠΌΠ΅Π΅Ρ ΠΏΡΠ°Π²ΠΎ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ Π΄Π»Ρ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ Π½ΠΎΠ²ΠΎΠ³ΠΎ, ΡΠ°ΠΌΠΎΡΡΠΎΡΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, Π±Π΅Π· ΡΠΎΠ³Π»Π°ΡΠΈΡ Π΄ΡΡΠ³ΠΈΡ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² ΠΈ Π±Π΅Π· Π²ΡΠΏΠ»Π°ΡΡ ΠΈΠΌ Π°Π²ΡΠΎΡΡΠΊΠΎΠ³ΠΎ Π²ΠΎΠ·Π½Π°Π³ΡΠ°ΠΆΠ΄Π΅Π½ΠΈΡ, Π΅ΡΠ»ΠΈ ΡΡΠΎ Π½Π΅ Π½Π°Π½ΠΎΡΠΈΡ ΡΡΠ΅ΡΠ± ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ. ΠΠ°ΠΏΡΠΈΠΌΠ΅Ρ, ΡΠΎΠ°Π²ΡΠΎΡ ΡΠΎΠΌΠ°Π½Π°, Π½Π°ΠΏΠΈΡΠ°Π½Π½ΠΎΠ³ΠΎ Π² ΡΠΎΠ°Π²ΡΠΎΡΡΡΠ²Π΅, ΠΌΠΎΠΆΠ΅Ρ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ Π΅Π³ΠΎ ΠΏΠ΅ΡΡΠΎΠ½Π°ΠΆΠ΅ΠΉ ΠΈΠ»ΠΈ ΡΡΠΆΠ΅ΡΠ½ΡΠ΅ Π»ΠΈΠ½ΠΈΠΈ Π² ΡΠ²ΠΎΠ΅ΠΌ Π½ΠΎΠ²ΠΎΠΌ, ΠΈΠ½Π΄ΠΈΠ²ΠΈΠ΄ΡΠ°Π»ΡΠ½ΠΎ Π½Π°ΠΏΠΈΡΠ°Π½Π½ΠΎΠΌ ΡΠΎΠΌΠ°Π½Π΅.
Π‘Π»ΡΡΠ°ΠΈ, ΠΊΠΎΠ³Π΄Π° ΡΡΠ΅Π±ΡΠ΅ΡΡΡΡΠΎΠ³Π»Π°ΡΠΈΠ΅ Π΄ΡΡΠ³ΠΈΡ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² :
- ΠΠΎΠΌΠΌΠ΅ΡΡΠ΅ΡΠΊΠΎΠ΅ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅: ΠΡΠ»ΠΈ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ ΡΠ°ΡΡΠΈ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Π² Π²Π°ΡΠ΅ΠΌ Π½ΠΎΠ²ΠΎΠΌ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΈ ΠΏΡΠ΅Π΄ΠΏΠΎΠ»Π°Π³Π°Π΅Ρ ΠΏΠΎΠ»ΡΡΠ΅Π½ΠΈΠ΅ ΠΏΡΠΈΠ±ΡΠ»ΠΈ ΠΈΠ»ΠΈ Π΄ΡΡΠ³ΠΎΠΉ ΡΠΊΠΎΠ½ΠΎΠΌΠΈΡΠ΅ΡΠΊΠΎΠΉ Π²ΡΠ³ΠΎΠ΄Ρ (Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ, ΠΏΡΠ±Π»ΠΈΠΊΠ°ΡΠΈΡ ΠΊΠ½ΠΈΠ³ΠΈ, ΠΏΡΠΎΠ΄Π°ΠΆΠ° ΡΡΠ΅Π½Π°ΡΠΈΡ), ΡΠΎ Π²Π°ΠΌ ΠΎΠ±ΡΠ·Π°ΡΠ΅Π»ΡΠ½ΠΎ Π½ΡΠΆΠ½ΠΎ ΠΏΠΎΠ»ΡΡΠΈΡΡ ΡΠΎΠ³Π»Π°ΡΠΈΠ΅ Π²ΡΠ΅Ρ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ².
- ΠΠ½Π°ΡΠΈΡΠ΅Π»ΡΠ½ΡΠΉ ΠΎΠ±ΡΠ΅ΠΌ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ: ΠΠ°ΠΆΠ΅ Π΅ΡΠ»ΠΈ Π²Π°ΡΠ΅ Π½ΠΎΠ²ΠΎΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ Π½Π΅ ΡΠ²Π»ΡΠ΅ΡΡΡ ΠΊΠΎΠΌΠΌΠ΅ΡΡΠ΅ΡΠΊΠΈΠΌ, ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ Π·Π½Π°ΡΠΈΡΠ΅Π»ΡΠ½ΠΎΠΉ ΡΠ°ΡΡΠΈ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ ΠΌΠΎΠΆΠ΅Ρ ΠΏΠΎΡΡΠ΅Π±ΠΎΠ²Π°ΡΡ ΡΠΎΠ³Π»Π°ΡΠΈΡ Π΄ΡΡΠ³ΠΈΡ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ².
- ΠΡΠΊΠ°ΠΆΠ΅Π½ΠΈΠ΅ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ: ΠΡΠ»ΠΈ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ ΡΠ°ΡΡΠΈ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Π² Π²Π°ΡΠ΅ΠΌ Π½ΠΎΠ²ΠΎΠΌ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΈ ΠΌΠΎΠΆΠ΅Ρ ΠΏΠΎΠ²ΡΠ΅Π΄ΠΈΡΡ ΡΠ΅ΡΡΠΈ ΠΈ ΡΠ΅ΠΏΡΡΠ°ΡΠΈΠΈ Π΄ΡΡΠ³ΠΈΡ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² ΠΈΠ»ΠΈ ΠΈΡΠΊΠ°Π·ΠΈΡΡ ΠΈΡ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΈΠΉ Π·Π°ΠΌΡΡΠ΅Π», Π²Π°ΠΌ ΡΠ°ΠΊΠΆΠ΅ Π½ΡΠΆΠ½ΠΎ ΠΏΠΎΠ»ΡΡΠΈΡΡ ΠΈΡ ΡΠΎΠ³Π»Π°ΡΠΈΠ΅.
ΠΠΎΠ³ΠΎΠ²ΠΎΡ ΠΌΠ΅ΠΆΠ΄Ρ ΡΠΎΠ°Π²ΡΠΎΡΠ°ΠΌΠΈ:
ΠΠΎΠ³ΠΎΠ²ΠΎΡ ΠΌΠ΅ΠΆΠ΄Ρ ΡΠΎΠ°Π²ΡΠΎΡΠ°ΠΌΠΈ ΠΌΠΎΠΆΠ΅Ρ ΡΠΎΠ΄Π΅ΡΠΆΠ°ΡΡ ΠΏΠΎΠ»ΠΎΠΆΠ΅Π½ΠΈΡ, ΠΊΠΎΡΠΎΡΡΠ΅ ΡΡΠΎΡΠ½ΡΡΡ ΠΈΠ»ΠΈ ΠΈΠ·ΠΌΠ΅Π½ΡΡΡ ΠΎΠ±ΡΠΈΠ΅ ΠΏΡΠ°Π²ΠΈΠ»Π° ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ ΠΎΠ±ΡΠ΅Π³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ. ΠΠ°ΠΏΡΠΈΠΌΠ΅Ρ, Π΄ΠΎΠ³ΠΎΠ²ΠΎΡ ΠΌΠΎΠΆΠ΅Ρ ΠΏΡΠ΅Π΄ΡΡΠΌΠ°ΡΡΠΈΠ²Π°ΡΡ, ΡΡΠΎ ΠΊΠ°ΠΆΠ΄ΡΠΉ ΡΠΎΠ°Π²ΡΠΎΡ ΠΈΠΌΠ΅Π΅Ρ ΠΏΡΠ°Π²ΠΎ ΡΠ²ΠΎΠ±ΠΎΠ΄Π½ΠΎ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ ΡΠ°ΡΡΠΈ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Π² ΡΠ²ΠΎΠΈΡ Π½ΠΎΠ²ΡΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡΡ Π±Π΅Π· ΡΠΎΠ³Π»Π°ΡΠΈΡ Π΄ΡΡΠ³ΠΈΡ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ².
Π Π΅ΠΊΠΎΠΌΠ΅Π½Π΄Π°ΡΠΈΡ:
Π Π»ΡΠ±ΠΎΠΌ ΡΠ»ΡΡΠ°Π΅, ΡΠ΅ΠΊΠΎΠΌΠ΅Π½Π΄ΡΠ΅ΡΡΡ ΠΎΠ±ΡΡΠ΄ΠΈΡΡ Ρ Π΄ΡΡΠ³ΠΈΠΌΠΈ ΡΠΎΠ°Π²ΡΠΎΡΠ°ΠΌΠΈ Π²Π°ΡΠΈ ΠΏΠ»Π°Π½Ρ ΠΏΠΎ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ ΡΠ°ΡΡΠΈ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ³ΠΎ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Π² Π²Π°ΡΠ΅ΠΌ Π½ΠΎΠ²ΠΎΠΌ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠΈ. ΠΡΠΎ ΠΏΠΎΠΌΠΎΠΆΠ΅Ρ ΠΈΠ·Π±Π΅ΠΆΠ°ΡΡ Π½Π΅Π΄ΠΎΡΠ°Π·ΡΠΌΠ΅Π½ΠΈΠΉ ΠΈ ΠΊΠΎΠ½ΡΠ»ΠΈΠΊΡΠΎΠ². ΠΡΠ»ΠΈ Π²ΠΎΠ·Π½ΠΈΠΊΠ½ΡΡ ΡΠΎΠΌΠ½Π΅Π½ΠΈΡ, Π»ΡΡΡΠ΅ ΠΎΠ±ΡΠ°ΡΠΈΡΡΡΡ Π·Π° ΠΊΠΎΠ½ΡΡΠ»ΡΡΠ°ΡΠΈΠ΅ΠΉ ΠΊ ΡΡΠΈΡΡΡ.
ΠΠ°ΠΊΠΈΠ΅ ΡΠ°Π³ΠΈ Π½ΡΠΆΠ½ΠΎ ΠΏΡΠ΅Π΄ΠΏΡΠΈΠ½ΡΡΡ, ΡΡΠΎΠ±Ρ Π·Π°ΡΠ΅Π³ΠΈΡΡΡΠΈΡΠΎΠ²Π°ΡΡ Π°Π²ΡΠΎΡΡΠΊΠΎΠ΅ ΠΏΡΠ°Π²ΠΎ Π½Π° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΠΎΠ·Π΄Π°Π½Π½ΠΎΠ΅ Π² ΡΠΎΠ°Π²ΡΠΎΡΡΡΠ²Π΅? ΠΡΠ»ΠΈΡΠ°Π΅ΡΡΡ Π»ΠΈ ΡΡΠ° ΠΏΡΠΎΡΠ΅Π΄ΡΡΠ° ΠΎΡ ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΠΈ Π°Π²ΡΠΎΡΡΠΊΠΎΠ³ΠΎ ΠΏΡΠ°Π²Π° Π½Π° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΠΎΠ΄Π½ΠΎΠ³ΠΎ Π°Π²ΡΠΎΡΠ°?
Π Π£ΠΊΡΠ°ΠΈΠ½Π΅ ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΡ Π°Π²ΡΠΎΡΡΠΊΠΎΠ³ΠΎ ΠΏΡΠ°Π²Π° Π½Π΅ ΡΠ²Π»ΡΠ΅ΡΡΡ ΠΎΠ±ΡΠ·Π°ΡΠ΅Π»ΡΠ½ΠΎΠΉ. ΠΠ²ΡΠΎΡΡΠΊΠΎΠ΅ ΠΏΡΠ°Π²ΠΎ Π²ΠΎΠ·Π½ΠΈΠΊΠ°Π΅Ρ Π°Π²ΡΠΎΠΌΠ°ΡΠΈΡΠ΅ΡΠΊΠΈ Ρ ΠΌΠΎΠΌΠ΅Π½ΡΠ° ΡΠΎΠ·Π΄Π°Π½ΠΈΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ. ΠΠ΄Π½Π°ΠΊΠΎ, ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΡ ΠΈΠΌΠ΅Π΅Ρ ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΡΠ΅ ΠΏΡΠ΅ΠΈΠΌΡΡΠ΅ΡΡΠ²Π°, ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎ Π² ΡΠ»ΡΡΠ°Π΅ Π²ΠΎΠ·Π½ΠΈΠΊΠ½ΠΎΠ²Π΅Π½ΠΈΡ ΡΠΏΠΎΡΠΎΠ². ΠΡΠΎΡΠ΅Π΄ΡΡΠ° ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΠΈ Π°Π²ΡΠΎΡΡΠΊΠΎΠ³ΠΎ ΠΏΡΠ°Π²Π° Π½Π° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΠΎΠ·Π΄Π°Π½Π½ΠΎΠ΅ Π² ΡΠΎΠ°Π²ΡΠΎΡΡΡΠ²Π΅, Π² ΡΠ΅Π»ΠΎΠΌ ΠΏΠΎΡ ΠΎΠΆΠ° Π½Π° ΠΏΡΠΎΡΠ΅Π΄ΡΡΡ ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΠΈ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ ΠΎΠ΄Π½ΠΎΠ³ΠΎ Π°Π²ΡΠΎΡΠ°, Π½ΠΎ ΠΈΠΌΠ΅Π΅Ρ Π½Π΅ΠΊΠΎΡΠΎΡΡΠ΅ ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎΡΡΠΈ.
Π¨Π°Π³ΠΈ Π΄Π»Ρ ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΠΈ Π°Π²ΡΠΎΡΡΠΊΠΎΠ³ΠΎ ΠΏΡΠ°Π²Π° Π½Π° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΠΎΠ·Π΄Π°Π½Π½ΠΎΠ΅ Π² ΡΠΎΠ°Π²ΡΠΎΡΡΡΠ²Π΅:
- ΠΠΎΠ΄Π³ΠΎΡΠΎΠ²ΠΊΠ° Π΄ΠΎΠΊΡΠΌΠ΅Π½ΡΠΎΠ²:
- ΠΠ°ΡΠ²Π»Π΅Π½ΠΈΠ΅ ΠΎ ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΠΈ Π°Π²ΡΠΎΡΡΠΊΠΎΠ³ΠΎ ΠΏΡΠ°Π²Π°: ΠΠ°ΡΠ²Π»Π΅Π½ΠΈΠ΅ ΠΏΠΎΠ΄Π°ΡΡ Π²ΡΠ΅ ΡΠΎΠ°Π²ΡΠΎΡΡ ΠΈΠ»ΠΈ ΠΈΡ ΡΠΏΠΎΠ»Π½ΠΎΠΌΠΎΡΠ΅Π½Π½ΡΠΉ ΠΏΡΠ΅Π΄ΡΡΠ°Π²ΠΈΡΠ΅Π»Ρ. Π Π·Π°ΡΠ²Π»Π΅Π½ΠΈΠΈ ΡΠΊΠ°Π·ΡΠ²Π°ΡΡΡΡ Π΄Π°Π½Π½ΡΠ΅ Π²ΡΠ΅Ρ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² (Π€ΠΠ, Π°Π΄ΡΠ΅ΡΠ°, Π΄ΠΎΠ»ΠΈ Π² Π°Π²ΡΠΎΡΡΠΊΠΎΠΌ ΠΏΡΠ°Π²Π΅), Π½Π°Π·Π²Π°Π½ΠΈΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, Π²ΠΈΠ΄ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ, Π΄Π°ΡΠ° ΡΠΎΠ·Π΄Π°Π½ΠΈΡ.
- ΠΠΊΠ·Π΅ΠΌΠΏΠ»ΡΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ: ΠΠΎΠ΄Π°Π΅ΡΡΡ ΠΎΠ΄ΠΈΠ½ ΡΠΊΠ·Π΅ΠΌΠΏΠ»ΡΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ Π² ΡΠΎΡΠΌΠ΅, ΠΏΠΎΠ·Π²ΠΎΠ»ΡΡΡΠ΅ΠΉ Π΅Π³ΠΎ ΠΈΠ΄Π΅Π½ΡΠΈΡΠΈΡΠΈΡΠΎΠ²Π°ΡΡ (ΡΡΠΊΠΎΠΏΠΈΡΡ, ΡΠ»Π΅ΠΊΡΡΠΎΠ½Π½ΡΠΉ ΡΠ°ΠΉΠ», Π°ΡΠ΄ΠΈΠΎ- ΠΈΠ»ΠΈ Π²ΠΈΠ΄Π΅ΠΎΠ·Π°ΠΏΠΈΡΡ ΠΈ Ρ.Π΄.).
- ΠΠΎΠΊΡΠΌΠ΅Π½Ρ, ΠΏΠΎΠ΄ΡΠ²Π΅ΡΠΆΠ΄Π°ΡΡΠΈΠΉ ΠΏΠΎΠ»Π½ΠΎΠΌΠΎΡΠΈΡ ΠΏΡΠ΅Π΄ΡΡΠ°Π²ΠΈΡΠ΅Π»Ρ (Π΅ΡΠ»ΠΈ Π·Π°ΡΠ²Π»Π΅Π½ΠΈΠ΅ ΠΏΠΎΠ΄Π°Π΅Ρ ΠΏΡΠ΅Π΄ΡΡΠ°Π²ΠΈΡΠ΅Π»Ρ): ΠΠ°ΠΏΡΠΈΠΌΠ΅Ρ, Π΄ΠΎΠ²Π΅ΡΠ΅Π½Π½ΠΎΡΡΡ.
- ΠΠΎΠΊΡΠΌΠ΅Π½Ρ ΠΎΠ± ΡΠΏΠ»Π°ΡΠ΅ Π³ΠΎΡΡΠ΄Π°ΡΡΡΠ²Π΅Π½Π½ΠΎΠΉ ΠΏΠΎΡΠ»ΠΈΠ½Ρ.
- ΠΠΎΠ΄Π°ΡΠ° Π΄ΠΎΠΊΡΠΌΠ΅Π½ΡΠΎΠ²: ΠΠΎΠΊΡΠΌΠ΅Π½ΡΡ ΠΏΠΎΠ΄Π°ΡΡΡΡ Π² ΠΠΎΡΡΠ΄Π°ΡΡΡΠ²Π΅Π½Π½ΡΡ ΡΠ»ΡΠΆΠ±Ρ ΠΈΠ½ΡΠ΅Π»Π»Π΅ΠΊΡΡΠ°Π»ΡΠ½ΠΎΠΉ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΠΎΡΡΠΈ Π£ΠΊΡΠ°ΠΈΠ½Ρ (ΠΠ‘ΠΠ‘) Π»ΠΈΡΠ½ΠΎ, ΠΏΠΎ ΠΏΠΎΡΡΠ΅ ΠΈΠ»ΠΈ ΡΠ΅ΡΠ΅Π· ΡΠ»Π΅ΠΊΡΡΠΎΠ½Π½ΡΡ ΡΠΈΡΡΠ΅ΠΌΡ.
- Π Π°ΡΡΠΌΠΎΡΡΠ΅Π½ΠΈΠ΅ Π·Π°ΡΠ²Π»Π΅Π½ΠΈΡ: ΠΠ‘ΠΠ‘ ΡΠ°ΡΡΠΌΠ°ΡΡΠΈΠ²Π°Π΅Ρ Π·Π°ΡΠ²Π»Π΅Π½ΠΈΠ΅ ΠΈ ΠΏΡΠΈΠ½ΠΈΠΌΠ°Π΅Ρ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ ΠΎ ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΠΈ ΠΈΠ»ΠΈ ΠΎΡΠΊΠ°Π·Π΅ Π² ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΠΈ Π°Π²ΡΠΎΡΡΠΊΠΎΠ³ΠΎ ΠΏΡΠ°Π²Π°.
- ΠΠΎΠ»ΡΡΠ΅Π½ΠΈΠ΅ ΡΠ²ΠΈΠ΄Π΅ΡΠ΅Π»ΡΡΡΠ²Π°: Π ΡΠ»ΡΡΠ°Π΅ ΠΏΠΎΠ»ΠΎΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΡΠ΅ΡΠ΅Π½ΠΈΡ ΠΠ‘ΠΠ‘ Π²ΡΠ΄Π°Π΅Ρ ΡΠ²ΠΈΠ΄Π΅ΡΠ΅Π»ΡΡΡΠ²ΠΎ ΠΎ ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΠΈ Π°Π²ΡΠΎΡΡΠΊΠΎΠ³ΠΎ ΠΏΡΠ°Π²Π°. Π‘Π²ΠΈΠ΄Π΅ΡΠ΅Π»ΡΡΡΠ²ΠΎ Π²ΡΠ΄Π°Π΅ΡΡΡ Π½Π° ΠΈΠΌΡ Π²ΡΠ΅Ρ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ².
ΠΡΠ»ΠΈΡΠΈΡ ΠΎΡ ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΠΈ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ ΠΎΠ΄Π½ΠΎΠ³ΠΎ Π°Π²ΡΠΎΡΠ°:
- ΠΠ°ΡΠ²Π»Π΅Π½ΠΈΠ΅ ΠΏΠΎΠ΄Π°Π΅ΡΡΡ Π²ΡΠ΅ΠΌΠΈ ΡΠΎΠ°Π²ΡΠΎΡΠ°ΠΌΠΈ ΠΈΠ»ΠΈ ΠΈΡ ΠΏΡΠ΅Π΄ΡΡΠ°Π²ΠΈΡΠ΅Π»Π΅ΠΌ: Π ΠΎΡΠ»ΠΈΡΠΈΠ΅ ΠΎΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ ΠΎΠ΄Π½ΠΎΠ³ΠΎ Π°Π²ΡΠΎΡΠ°, Π³Π΄Π΅ Π·Π°ΡΠ²Π»Π΅Π½ΠΈΠ΅ ΠΏΠΎΠ΄Π°Π΅Ρ ΡΠ°ΠΌ Π°Π²ΡΠΎΡ, Π² ΡΠ»ΡΡΠ°Π΅ ΡΠΎΠ°Π²ΡΠΎΡΡΡΠ²Π° Π·Π°ΡΠ²Π»Π΅Π½ΠΈΠ΅ Π΄ΠΎΠ»ΠΆΠ½Ρ ΠΏΠΎΠ΄ΠΏΠΈΡΠ°ΡΡ Π²ΡΠ΅ ΡΠΎΠ°Π²ΡΠΎΡΡ ΠΈΠ»ΠΈ ΠΈΡ ΡΠΏΠΎΠ»Π½ΠΎΠΌΠΎΡΠ΅Π½Π½ΡΠΉ ΠΏΡΠ΅Π΄ΡΡΠ°Π²ΠΈΡΠ΅Π»Ρ.
- Π Π·Π°ΡΠ²Π»Π΅Π½ΠΈΠΈ ΡΠΊΠ°Π·ΡΠ²Π°ΡΡΡΡ Π΄ΠΎΠ»ΠΈ ΠΊΠ°ΠΆΠ΄ΠΎΠ³ΠΎ ΡΠΎΠ°Π²ΡΠΎΡΠ°: ΠΠ°ΠΆΠ½ΠΎ ΡΠ΅ΡΠΊΠΎ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΡ Π΄ΠΎΠ»ΠΈ ΠΊΠ°ΠΆΠ΄ΠΎΠ³ΠΎ ΡΠΎΠ°Π²ΡΠΎΡΠ° Π² Π°Π²ΡΠΎΡΡΠΊΠΎΠΌ ΠΏΡΠ°Π²Π΅, ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎ Π΅ΡΠ»ΠΈ ΠΎΠ½ΠΈ Π½Π΅ ΡΠ°Π²Π½Ρ.
- Π‘Π²ΠΈΠ΄Π΅ΡΠ΅Π»ΡΡΡΠ²ΠΎ Π²ΡΠ΄Π°Π΅ΡΡΡ Π½Π° ΠΈΠΌΡ Π²ΡΠ΅Ρ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ²: Π‘Π²ΠΈΠ΄Π΅ΡΠ΅Π»ΡΡΡΠ²ΠΎ ΠΎ ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΠΈ Π°Π²ΡΠΎΡΡΠΊΠΎΠ³ΠΎ ΠΏΡΠ°Π²Π° Π½Π° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΠΎΠ·Π΄Π°Π½Π½ΠΎΠ΅ Π² ΡΠΎΠ°Π²ΡΠΎΡΡΡΠ²Π΅, Π²ΡΠ΄Π°Π΅ΡΡΡ Π½Π° ΠΈΠΌΡ Π²ΡΠ΅Ρ ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ², ΡΡΠΎ ΠΏΠΎΠ΄ΡΠ²Π΅ΡΠΆΠ΄Π°Π΅Ρ ΠΈΡ ΡΠΎΠ²ΠΌΠ΅ΡΡΠ½ΠΎΠ΅ Π°Π²ΡΠΎΡΡΡΠ²ΠΎ.
ΠΠ°ΠΆΠ½ΡΠ΅ ΠΌΠΎΠΌΠ΅Π½ΡΡ:
- ΠΠΎΠ³ΠΎΠ²ΠΎΡ ΠΌΠ΅ΠΆΠ΄Ρ ΡΠΎΠ°Π²ΡΠΎΡΠ°ΠΌΠΈ: ΠΠ°Π»ΠΈΡΠΈΠ΅ Π΄ΠΎΠ³ΠΎΠ²ΠΎΡΠ° ΠΌΠ΅ΠΆΠ΄Ρ ΡΠΎΠ°Π²ΡΠΎΡΠ°ΠΌΠΈ, ΡΠ΅Π³ΡΠ»ΠΈΡΡΡΡΠ΅Π³ΠΎ ΠΈΡ ΠΏΡΠ°Π²Π° ΠΈ ΠΎΠ±ΡΠ·Π°Π½Π½ΠΎΡΡΠΈ, Π·Π½Π°ΡΠΈΡΠ΅Π»ΡΠ½ΠΎ ΡΠΏΡΠΎΡΠ°Π΅Ρ ΠΏΡΠΎΡΠ΅Π΄ΡΡΡ ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΠΈ ΠΈ ΠΏΠΎΠΌΠΎΠ³Π°Π΅Ρ ΠΈΠ·Π±Π΅ΠΆΠ°ΡΡ ΠΊΠΎΠ½ΡΠ»ΠΈΠΊΡΠΎΠ² Π² Π±ΡΠ΄ΡΡΠ΅ΠΌ. Π Π΄ΠΎΠ³ΠΎΠ²ΠΎΡΠ΅ ΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΠ΅ΡΠΊΠΎ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΡ ΡΠ°ΡΠΏΡΠ΅Π΄Π΅Π»Π΅Π½ΠΈΠ΅ Π΄ΠΎΠ»Π΅ΠΉ Π² Π°Π²ΡΠΎΡΡΠΊΠΎΠΌ ΠΏΡΠ°Π²Π΅, ΠΏΠΎΡΡΠ΄ΠΎΠΊ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ ΠΈ Π΄ΡΡΠ³ΠΈΠ΅ Π²Π°ΠΆΠ½ΡΠ΅ Π°ΡΠΏΠ΅ΠΊΡΡ ΡΠΎΡΡΡΠ΄Π½ΠΈΡΠ΅ΡΡΠ²Π°.
- Π Π΅Π³ΠΈΡΡΡΠ°ΡΠΈΡ Π½Π΅ ΡΠΎΠ·Π΄Π°Π΅Ρ Π°Π²ΡΠΎΡΡΠΊΠΎΠ΅ ΠΏΡΠ°Π²ΠΎ: Π Π΅Π³ΠΈΡΡΡΠ°ΡΠΈΡ Π»ΠΈΡΡ ΠΏΠΎΠ΄ΡΠ²Π΅ΡΠΆΠ΄Π°Π΅Ρ ΡΡΡΠ΅ΡΡΠ²ΡΡΡΠ΅Π΅ Π°Π²ΡΠΎΡΡΠΊΠΎΠ΅ ΠΏΡΠ°Π²ΠΎ. ΠΠ°ΠΆΠ΅ Π±Π΅Π· ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΠΈ ΡΠΎΠ°Π²ΡΠΎΡΡ ΠΈΠΌΠ΅ΡΡ ΠΏΠΎΠ»Π½ΡΠΉ ΠΎΠ±ΡΠ΅ΠΌ Π°Π²ΡΠΎΡΡΠΊΠΈΡ ΠΏΡΠ°Π² Π½Π° ΡΠ²ΠΎΠ΅ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅.
Π Π΅Π³ΠΈΡΡΡΠ°ΡΠΈΡ Π°Π²ΡΠΎΡΡΠΊΠΎΠ³ΠΎ ΠΏΡΠ°Π²Π° Π½Π° ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΠ΅, ΡΠΎΠ·Π΄Π°Π½Π½ΠΎΠ΅ Π² ΡΠΎΠ°Π²ΡΠΎΡΡΡΠ²Π΅, Ρ ΠΎΡΡ ΠΈ ΠΈΠΌΠ΅Π΅Ρ Π½Π΅ΠΊΠΎΡΠΎΡΡΠ΅ ΠΎΡΠ»ΠΈΡΠΈΡ, Π² ΡΠ΅Π»ΠΎΠΌ ΠΏΠΎΡ ΠΎΠΆΠ° Π½Π° ΠΏΡΠΎΡΠ΅Π΄ΡΡΡ ΡΠ΅Π³ΠΈΡΡΡΠ°ΡΠΈΠΈ ΠΏΡΠΎΠΈΠ·Π²Π΅Π΄Π΅Π½ΠΈΡ ΠΎΠ΄Π½ΠΎΠ³ΠΎ Π°Π²ΡΠΎΡΠ°. ΠΠ½Π° ΡΠ²Π»ΡΠ΅ΡΡΡ Π²Π°ΠΆΠ½ΡΠΌ ΡΠ°Π³ΠΎΠΌ Π΄Π»Ρ Π·Π°ΡΠΈΡΡ ΠΏΡΠ°Π² ΡΠΎΠ°Π²ΡΠΎΡΠΎΠ² ΠΈ ΠΎΠ±Π»Π΅Π³ΡΠ°Π΅Ρ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ ΠΏΠΎΡΠ΅Π½ΡΠΈΠ°Π»ΡΠ½ΡΡ ΡΠΏΠΎΡΠΎΠ².